Recently I have been reading several forums that have had many posts on becoming a clay modeler. In those readings I’m finding that there seems to be a romance with this particular field in automotive design and yet many people have very little understanding in what it takes to become one. It would appear that the image that is being portrayed is, pick up a tool and scrape away until the desired shape is reached. This I’m afraid couldn’t be farther away from the truth. In industrial art certain parameters need to be kept and to create a form that is devoid of parameters will only come back to haunt you at a later stage in the program.
Having artistic flare is always a plus but you have to be able to translate a designers sketch to fit the package or parameters given, that is where the skill lies. Creating the best or closest resemblance to the sketch.
In my particular instance, to become a clay modeler I have progress through various fields. A road that wasn’t direct but through various related trades. For me I started at the age of sixteen as a pattermaker, this came about through my love of wood carving and wooden furniture which automatically placed me into finding a job where wood would play a major part in my daily activity. To determine a career at the age of sixteen is pretty much a hit and miss affair unless you are real focused. To help me with my decision the local careers officer would be at the school for the last two weeks before finally being pushed out to fend for myself and it was at that point that we I decided upon pattermaking. The whole process was based on the fact that I liked working in wood. Little did I know that only a small percentage of the apprentice patternmakers with Ford Motor Company would end up in the wood patternmaking shop, the rest would be working in metal!
During my apprenticeship I became familiar with using blue prints, hand tools and the workings of engines and all components that would have to be cast in a foundry. The fine tolerances that would improved water flow around an engine, the small difference in a wall thickness that could amount to massive savings in materials used during a years production. In that trade I would have to determine the best way and most productive way to produce a pattern for that specific component. It also meant that I had to go to college once a week for the duration of my apprenticeship to learn the theory behind the practical experience. In doing so I was fortunate to put those learnings to good use and hone my abilities, eventually ending up in the place I wanted to work, the wood shop. Continue reading How To Become a Clay Modeler